Sunday’s Scripture ~ John 1:1-5.
During the Season of Lent, the Tuskawilla UMC Family will worship through a sermon series based on the hymn, The Lord of the Dance by Sydney Carter. Each week will draw its subject from a verse of the hymn as we study and sing our way to this year’s Easter Cantata – Jesus! The Resurrection of the Messiah – which our Sanctuary Choir will gift to the congregation on Palm Sunday.
To help us prepare for this study, I offer an excerpt from an article published about Carter’s hymn entitled History of Hymns: Lord of the Dance. This article is available courtesy of The General Board of Discipleship Ministries of The United Methodist Church.
History of Hymns: Lord of the Dance
“Lord of the Dance” (1962) captured the spirit of the 1960s protest movement in the United States. It became a sacred equivalent for songs by Pete Seeger in the late 1950s, including “Where have all the flower’s gone” and “To everything turn” (later made even more popular by Peter, Paul, and Mary), as well as Bob Dylan’s “Blowin’ in the wind” (1962). While the direct – even, for some, sacrilegious – language accompanied by the folk acoustic guitar bordered on heresy for some; for others, these songs were a breath of fresh air. “Lord of the Dance” brought this sound and spirit into the church, especially in services designed to reach young people.
Called a “carol” by Carter, “Lord of the Dance” was not the first song on this theme. “Tomorrow will be my dancing day,” a seventeenth-century English carol, provided an obvious model for this famous hymn. An earlier medieval carol also explored the allegory of the dance as a metaphor for humanity’s relationship with Christ. Carter adapted a melody from the Shaker dance tune Simple Gifts. The first four stanzas appeared in the Student Christian Congress Hymns (1963), and the five-stanza version in 9 Songs or Ballads (1964). Carter’s Green Print for Song (1974) suggests that he wrote the words first and then adapted the tune of Simple Gifts to the text later. Simple Gifts has been identified as a quintessential American folk tune by composer Aaron Copeland (1900-1990), who quoted the tune as the climax of his famous symphonic work Appalachian Spring (1944).
A favorite of youth groups in the 1960s and 1970s, “Lord of the Dance” spread far beyond the Christian community, partially because the song never mentions Jesus or Christ by name. Its most famous use beyond the church is as a “Celtic” dance for Michael Flatley’s world-famous show, Lord of the Dance. The origins of the tune are not Celtic, however, but thoroughly American.
Always the iconoclast, Carter’s theological perspective may not pass all tests of orthodoxy. The opening lines of this first-person account of Christ’s life have been thought by some to “contain a hint of paganism which, mixed with Christianity, makes it attractive to those of ambiguous religious beliefs or none at all.” While inspired by the life of Jesus, Carter implied that the Hindu God Shiva as Nataraja (Shiva’s dancing pose), a statue that sat on his desk, also played a role in the song’s conception. The choice of an adapted Shaker tune for the melody – sometimes called the “shaking Quakers” who were known for their vigorous dancing during their rituals – rounds out the dance theme. Carter acknowledged the theological contradictions, but never attempted to resolve them.
“I see Christ as the incarnation of the piper who is calling us. He dances that shape and pattern which is at the heart of our reality. By Christ I mean not only Jesus; in other times and places, other planets, there may be other Lords of the Dance. But Jesus is the one I know of first and best. I sing of the dancing pattern in the life and words of Jesus.”*
Lent is a wonderful opportunity for us to grow in our knowledge and love of Christ – to know him first and best. Over the course of this sermon series, my hope is our understanding of Christ as our leader, teacher, defender, offering, and future will flourish. We begin this week studying how “the dance was begun.” I look forward to seeing you in worship and worshipping with you on our way to Easter.
Prayer: “I danced in the morning when the world was begun, and I danced in the moon and the stars and the sun, and I came down from heaven and I danced on the earth. At Bethlehem I had my birth. Dance, then, wherever you may be; I am the Lord of the Dance, said he. And I’ll lead you all wherever you may be, and I’ll lead you all in the dance, said he.** Amen.
*To read the full article, please visit https://www.umcdiscipleship.org/resources/history-of-hymns-lord-of-the-dance.
**”Lord of the Dance,” The United Methodist Hymnal 261.